Query Query

This is the text of the query letter I’m planning on sending out to agents. If anything doesn’t ring true, seems forced, or could benefit from more consideration, I’d be mighty grateful if you’d let me know in the comments.

UPDATE of 10/26: A reference to this site will be included in the query letter, along with a call-to-action to visit.

“17-year-old Abigail Moore, apprentice witch, is collecting herbs along the New Arkady shoreline when she stumbles over a young man, insensible, cotton shirt, trousers, and jacket waterlogged and cold to the touch. As Abigail pulls the young man’s arm over her shoulder, she sets into motion a chain of events that will see her driven out of her cottage, pursued by musket-toting Royalist soldiers, ululating toad-people and (most dogged of all) doubts about herself.

Will Abigail choose the virginity the path of witchcraft requires? Or will Abigail allow herself to be drawn into the revolution breaking out around her?

Inspired by authors like Diana Wynne Jones and H.P. Lovecraft, the original “Star Wars” film, and video games like the Fable series, “The Witch of the Colonies” might be described as ‘girl Harry Potter meets steampunk Huck Finn in serial format,’ but only if I was desperate to get the idea across as quickly as possible. “Witch of the Colonies” will serve as the first novel in an ongoing series, followed by “Demon of the Colonies” (a work in progress.)

Per your request, I have attached the first 10 pages of my manuscript, currently weighing in at 82,000 words. Thanks in advance for the time.

I look forward to hearing from you.”

Thanks, oh curious readers!

Creature (Double) Feature

Designing the two races of sentient non-humans in Northern Arcadia has been a real challenge, and the source of many manuscript revisions.

The ‘ssssla’ described in the earliest manuscript drafts as ‘fish-people’ have drifted into ‘frog’ territory, and will ultimately owe much of their appearance to the family of American toads. I’m also leaning towards replacing ‘ssssla’ with ‘dhao bo’; I’m hard pressed to imagine sentient toads picking a name for themselves with all those stray sibilants.

Designing the race of ape people, the ghuba, has posed different challenges. More on that tomorrow.

That Didn’t Take Long

I promise daily updates and not a week later I’ve made myself a liar. I don’t reckon many folks are reading this blog yet, so now might not be the worst time to go silent. But I do want my words – my promises – to mean something.

Family was here this week, which early on meant vacuuming, sweeping, and frantically scrubbing down an apartment that looked worse the more we worked and the more we looked. Finishing was a relief, and the visit itself with the folks was a delight.

Tomorrow, I’ll be back.

Against Retconning

“Retroactive continuity (often shortened to retcon) is the alteration of previously established facts in a fictional work.” – definition of retcon courtesy wikipedia

Once Witch of the Colonies is sold, edited and printed I will not edit the book in any significant ways. I won’t. I just don’t trust older versions of myself to have a better perspective on the work. A different one, sure, but that’s all.

One significant disadvantage to this approach? I feel pressure to be sure I’ve set things up properly for the two novels that’ll follow.

Revised Approach: Monday AM edition

Outside my window on this crisp Chicago morning, I can see a worker in a brown Carhartt jacket halfway up a shiny ladder, head and shoulders lost in the shadow of the apartment building’s green awning.

I’ve got my six Tier 1 agents, though only one of this bunch wants an exclusive look. I’ll mail that office today or tomorrow, and mail the other five when the window of exclusivity ends. In the interim, I’ll split my energy between new writing and revisions to Witch of the Colonies.

I can see the workman coming down now. Turns out he’s the guy who owns the building.

Impossible Questions

“Is this manuscript in the best possible shape? Do I believe it is ready to sell, or am I just testing the waters? Is it completed?”

The folks over at the Irene Goodman Literary Agency have one of the sharper looking web sites in the industry, and are generous enough to offer would-be authors guidelines for crafting an effective submission. They’re the source for the quote above. Good questions! I’ve been asking myself the same things for months. Yes, of course, I think the manuscript is ready, or I wouldn’t be tracking down you slick-talking agency types. Saleable, even! But that doesn’t mean it couldn’t be better

What do I get?

How do I find a good agent?

That’s where I start, and it stops me cold. How do I define ‘good’? I know very little about the business of publishing novels. Any judgement I make is going to be so poorly informed as to be useless; I’m reminded of Peter Griffin pooh-poohing the Godfather movies.

The answer, I think, is that ‘good’ here is a badly chosen word. I don’t need the Platonic ideal of an agent; I need someone who has certain areas of expertise that I lack. I need an agent who understands the science fiction/fantasy marketplace. Ideally, this person would have experience leveraging content across multiple platforms, including print, gaming and video. I want to make sure the first Abigail Moore novel sings, so access to talented editorial staff is important. I’ve never been much impressed by celebrity, but a list of well-known authors associated with this agency would be reassuring. A history of success winning big contracts is nice, but entirely optional.

Hey! I think I just found my criteria!

(Not so secret) agents, man

Marked up copy of the 2011 Writer's Market

Sifting through listings of agents, I’m as unsure how to differentiate between them as I was when figuring out where to go to college. The cautionary words about agents provided by the Science Fiction and Fantasy Writers of America are illuminating, and there are plenty of other sites out there sharing negative opinions on agents.

The question for me remains: how do I find a good agent?