Revised Approach: Monday AM edition

Outside my window on this crisp Chicago morning, I can see a worker in a brown Carhartt jacket halfway up a shiny ladder, head and shoulders lost in the shadow of the apartment building’s green awning.

I’ve got my six Tier 1 agents, though only one of this bunch wants an exclusive look. I’ll mail that office today or tomorrow, and mail the other five when the window of exclusivity ends. In the interim, I’ll split my energy between new writing and revisions to Witch of the Colonies.

I can see the workman coming down now. Turns out he’s the guy who owns the building.

Impossible Questions

“Is this manuscript in the best possible shape? Do I believe it is ready to sell, or am I just testing the waters? Is it completed?”

The folks over at the Irene Goodman Literary Agency have one of the sharper looking web sites in the industry, and are generous enough to offer would-be authors guidelines for crafting an effective submission. They’re the source for the quote above. Good questions! I’ve been asking myself the same things for months. Yes, of course, I think the manuscript is ready, or I wouldn’t be tracking down you slick-talking agency types. Saleable, even! But that doesn’t mean it couldn’t be better

What do I get?

How do I find a good agent?

That’s where I start, and it stops me cold. How do I define ‘good’? I know very little about the business of publishing novels. Any judgement I make is going to be so poorly informed as to be useless; I’m reminded of Peter Griffin pooh-poohing the Godfather movies.

The answer, I think, is that ‘good’ here is a badly chosen word. I don’t need the Platonic ideal of an agent; I need someone who has certain areas of expertise that I lack. I need an agent who understands the science fiction/fantasy marketplace. Ideally, this person would have experience leveraging content across multiple platforms, including print, gaming and video. I want to make sure the first Abigail Moore novel sings, so access to talented editorial staff is important. I’ve never been much impressed by celebrity, but a list of well-known authors associated with this agency would be reassuring. A history of success winning big contracts is nice, but entirely optional.

Hey! I think I just found my criteria!

(Not so secret) agents, man

Marked up copy of the 2011 Writer's Market

Sifting through listings of agents, I’m as unsure how to differentiate between them as I was when figuring out where to go to college. The cautionary words about agents provided by the Science Fiction and Fantasy Writers of America are illuminating, and there are plenty of other sites out there sharing negative opinions on agents.

The question for me remains: how do I find a good agent?

If code is poetry then I’m a novelist.

I spent a couple days researching how I could coax WordPress into giving me exactly what I what, and – yeah – everything is certainly doable. But I don’t want to be bothered learning a scripting language, and my html skills have never been more than rudimentary. I hear Ani DiFranco singing “Buildings and bridges / Were made to bend / In the wind” and I think: I should stay focused on writing.